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The Politics and Aesthetics of Refusal

The Politics and Aesthetics of Refusal

According to Herbert Marcuse, refusal must not only be the guiding principle for all artistic creation, it must also be a manifestation of artistic creation itself. This volume attempts to compose a collection which is not only theoretically guided by refusal, but practically inf... read full description below.

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Quick Reference

ISBN 9781847182449
Published 1 August 2007 by Cambridge Scholars Publishing
Format Hardback
Author(s) Edited by Hamilton, Caroline
Edited by Kelly, Michelle
Edited by Minor, Elaine
Edited by Noonan, Will

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Full details for this title

ISBN-13 9781847182449
ISBN-10 1847182445
Stock Available
Status Internationally sourced (on backorder); allow 4-8 weeks
Publisher Cambridge Scholars Publishing
Imprint Cambridge Scholars Publishing
Publication Date 1 August 2007
Publication Country United Kingdom United Kingdom
Format Hardback
Author(s) Edited by Hamilton, Caroline
Edited by Kelly, Michelle
Edited by Minor, Elaine
Edited by Noonan, Will
Category Demonstrations & Protest Movements
Interest Age All ages
Reading Age All ages
NBS Text Politics: General & Reference
ONIX Text College/higher education;Professional and scholarly
Number of Pages 210
Dimensions Width: 150mm
Height: 220mm
Weight Not specified - defaults to 1,000g
Dewey Code 001.2
Catalogue Code Not specified

Description of this Book

The Politics and Aesthetics of Refusal is an eclectic collection of essays from emerging academics who engage with the notion of refusal both as the embodiment of a resistance to conventional boundaries between academic disciplines, and as a concept with an underlying negative or reactive force that can be widely interpreted and applied. The applications of refusal outlined in this volume - ranging from activism and the politics of cultural production through to problems of identity and knowledge classification - raise questions about often-elided relationships of agency and complicity in routine experience.The sense of refusal that emerges from this book is perhaps most easily classified by what it is not - namely, a prescriptive, conclusive, or unified account of what it is to reject, react, or work against any particular instance of theory or practice in any given domain. The value of a thematically-oriented collection like this is its ability to work across disciplines, media, and philosophical frameworks rather than limiting its focus to a narrow territory.According to Herbert Marcuse, refusal must not only be the guiding principle for all artistic creation, it must also be a manifestation of artistic creation itself. With this volume, we have attempted to compose a collection which is not only theoretically guided by refusal, but practically informed by it as well. The collection in itself constitutes, we hope, a constructive rejection of the usual constrictions of discipline and approach placed upon new scholars.

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Author's Bio

Caroline Hamilton, Michelle Kelly, Elaine Minor, and Will Noonan are affiliated with Philament, a free online journal of postgraduate scholarship in the fields of cultural studies and the literary arts. Philament is edited and published by students from the University of Sydney and is designed to be a conduit for uninhibited academic debate, critical discussion and creative expression over a broad range of topics within the literary arts and cultural studies.

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